Side of the detected ships is no longer revealed by radar or sonar.Gramophone issue was solved: it will be available now while the in-game music was switched OFF.Navigation tutorial issue solved: there are no more sudden explosions on boats.Now the convoys will be better protected. Escorts ASW attack methods have been improved.More radio messages from BdU had been added.Type XXI torpedo loading speed had been corrected.Now Liverpool and Firth of Clyde are in the correct position.Submarine damage model has been improved.The crush depth for all submarines has been corrected.Fixed a bug to the waypoint plotting system.A new advance plotting mode is available (thanks to Akifumi ”Jiim” Nojima).Fixes some bugs to dials in command and sonar room that display wrong information.
Fixes a bug where the oxygen was not replenished using snorkel.Head to view order implemented using key “=”.View to heading order implemented using key “-“.Torpedo tube ready message and voice is now active.New order for Chief Engineer - Periscope depth.Now external camera is linked to the U-boat using “,” and “.” As it happens, this meeting between national cultures and historical periods has produced fascinating results. She focuses on fans, groupies, and sponsors of Russian private opera theaters, and she reads their documents by using interpretative concepts that are informed by the studies of mid- twentieth century Hollywood fandom. Though this period is probably the best-studied in all of Russian history, Fishzon has found an unexplored view on it and discovered an untapped body of archival material. 'This book is an original and unusually informative study of Russian opera and its fans in the late-nineteenth and early-twentieth centuries. Steinberg, Professor, Department of History, University of Illinois, USA This is an essential and compelling contribution to our growing knowledge and understanding of the Russian experience at the end of the old regime and of the tumultuous world of the European fin de siècle more broadly.' - Mark D. 'In this fascinating and powerfully written history of opera fans and celebrities in late imperial Russia, Anna Fishzon offers us an almost operatic landscape, filled with compelling stories and important arguments about modern public life, the commercialization of art, sexuality and gender, emotions (especially fantasy and desire), and the meanings of key cultural questions such as sincerity and selfhood. Russian.” (Lois Alexander, Slavic and East European Journal, 2015) Provocative assertions here will appeal to readers interested in all matters Rich in potential for further investigation. This very short chapter of her work, the author explores topics of intersection Letter Scenes in Fin-de- Siècle Russia, Anna Fishzon constructs aįramework for understanding a feature of the era’s Zeitgeist: melodrama. “In Fandom, Authenticity, and Opera: Mad Acts and Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-siècle European popular and high culture, selfhood, authenticity, and political theater. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture.
A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief.
0 kommentar(er)
